Hmmm…
these referee calls against
the #LosAngeles #Rams
are questionable …
Almost like
they’re meant to create …
a “chilling effect” …
All Original Content © Cali Lili ™️ “SurF 🌊🏄🏽♀️🏄🏼♀️🏄🏿♀️🐬🎬🎧🍃 CaliLiliIndies™️🏝 PicturesWordsMusicInMotion™️ feMt0™️studi0🏄🏽♀️🏄🏼♀️🏄🏿♀️ CuttingEdgeOfThePacific™️🦀 IslandChildWild™️🍃🧜🏽♀️🌊 SipTheOysterZSavorThePearlZ™️🦪🐚 DreamBigTinyFootPrintZ™️🐾🌱 BluePlanetGreenSpaces™️🌊🍃 HandMade2MakeADifference™️🐌 etc (see logo)🌊🧜🏽♀️🧜♀️🧜🏿♀️ SupportTheARTSustainTheARTIST™️🎧🎬🎨👩🎨 © INTELLECTUAL PROPERTY NOTICE: by viewing any page on this site you agree that all original content including but not limited to that which is labeled ™️ (with the obvious exceptions of third party logos/companies ) is the copyright trademark signature intellectual property of Cali Lili ™️ artist rights are rigorously defended.
Hmmm…
these referee calls against
the #LosAngeles #Rams
are questionable …
Almost like
they’re meant to create …
a “chilling effect” …
Hmmm…
these referee calls against
the #LosAngeles #Rams
are questionable …
Almost like
they’re meant to create …
a “chilling effect” …
https://twitter.com/CaliLiliIndies/status/1585504907989131266/video/1
Movie Review : Times Square Chronicles: New York City :
Cali Lili’s : Eve N God This Female Is Not Yet Rated (with original soundtrack)
Tik Tok
Cali Lili : ” this female is not yet rated ” Radio Shout-out
Cali Lili : ” this female is not yet rated ” Radio Shout-out
Reviewed by
Gary Swanson
published in
Times Square Chronicles , NYC
August 2022
Cali Lili ‘s
Eve N God This Female Is Not Yet Rated (with original soundtrack)
” After the first minute, I knew this would not be an LA – guns – and – car – crash film.
There was artistry, care and attention to detail, but most of all an homage to intelligence – allowing the audience to think for themselves. Cali dares us to sit and watch or else, just – turn on a re – run of, say… “Columbo”. I kept writing as I watched in response, not out of criticism, but, tracking, as a witness. As in any art form – that refuses to be told – I let go and it took me back to where all art should take us: to love, to oneself and forgiveness for the natural sin of guilt.
The dreamy woman, almost asleep on the stern of the boat is not just the character, she IS the film maker, her subconscious streaming, inviting us into the pre – sleep dream that we all understand, like T. S. Elliot’s “Love Song Of J. Alfred Proofrock”:
“Let us go then, you and I,
When the evening is spread out against the sky,
Like a patient etherized upon a table…”
The woman dreaming on the boat is our abraxas or the horizon line before the sun drops to the darkness of another day or, the light that explains, prepares us for the events and responsibilities of the agenda’s we all set for ourselves, during the waking hours. She could be a surfer girl or the beauty who zips by on blades along the promenade in Venice, leaving those in her wake, cranking necks to watch her disappear into the anonymous crowd.
But, Cali never allows us to look away. At times she gazed straight into the camera, definitely, stating, without fear or apology – that she knew we were there. We all knew why she was there. Her personal strength and as the character’s – evolves: committed, palpable, specific and alive placing us, on the other side of the proscenium yet – in her thrall. It is a comfort to the viewer – we do not have to worry.
Wings was beautiful. So simple and true; thoughtful, at times, funny but slightly repentant as the handsome old man next to the clock with no hands. I never thought I could feel sympathy for a deity but he made me realize that even God recognized that there was a new sheriff in town and – it wasn’t John Wayne.
Something happens to us. We have to dare to accept the intricacies, the subtle nuance of the literate dialogue, scenes that would rival Brecht, Pirandello or a French Film Auteur’s like Jean – Luc Godard, invoked from the 1950’s. It was no “he – said, she – listens”, conventional scenes out of a Syd Fields plot – point script designed to “sell” to the “suits”. It demanded that “attention must be paid”, with distinct references to literature, history, art, dance and music. At times the film makes fun of the Greecian conventions of “Beginning, Middle and End”. Cali knew you were keeping score, thinking you were a step ahead. No, she knew. Poof! “Doc” makes mention of the structure of the film, alluding to story development – or lack thereof. Just sit back and accept it, on its own structure. (Cali’s music, her singing, her lyrics with Wings playing the instruments underneath, throughout, seemed to mix naturally into the feast like herbs directly plucked from the garden).
But horror and fear, a subtle reference to a Snub Nose 38, all co – mingled with the proud, personal denial of one’s own racism and the ever – present fear of one’s own sexuality, a topic that pinches us into squeamishness and denial for those of us brought up in the “goodness” of the puritanical Judeo/Christian tradition. No! Throw all that out! You’re on your own…
I rarely think about films after I’ve seen them once. I’ve watched “La Strada” a hundred times and will watch again – any time it’s offered. And I know I will cry at the end. I know it. I access something about myself every time I find out “she passed away”. The same applies to “Cool Hand Luke” when Newman plays a banjo to his mother’s death. “Waiting for Godot” never allows me to “think clearly” but I will rush to get a ticket to see it again.
If I am honest and willing to have the courage to see into my own fears, “Eve N God This Female Is Not Yet Rated” helped explain the inexorable pull to sexual jealousy, possessive impulses of the women I’ve known and loved. I recognize, with regret, any rights I might have imposed on their thoughts and feelings, that I could invoke on their desires, on nature or on humanity itself – especially when it comes to love. No one has the right to climb into the hypothalamus of someone else’s brain and tell that 3 pound organ that those pleasure impulses, those electrical charges of desire are within the purview of another, not in spite of marital commitment, but – in the nurturing of the those lucky enough to wake up in the morning and say, “ I love you – but I don’t own you”. In a strange way, the experience “liberated” me from the fear of sexual possession. The universe knows what it wants from us all and, sometimes – we simply must – just, get out of the way.
This film would be in demand, played on a loop in NYC art houses, women’s movements, LGBTQ community and anyone who thinks they are better than the ones they stand next to, in line, at the DMV. Men who think they are “MEN”! – Oh, really?
It takes astonishing courage to step out of the confines of linear expectations, walk alone into the woods with just a True North compass; to launch a small, single – woman sailboat into the Pacific, living out of the sea. Or – to make a film, in LA, with a beggars budget and, yet, have it all become so intellectually gratifying and allowing us to think on it long after.
Bravo! ”
Gary Swanson’s show business career began in the circus as a Steel Pier High Diver in Atlantic City. He moved to NYC and became a contract player on Day Time TV show “Somerset” leading to a life – long career as film, TV and theater actor. He’s written for numerous magazines, taught masters programs. He still acts, directs, writes and produces. His political barnburner, If You Can Keep It, is in development. He lives by the Atlantic in Montauk, NY.
#MovieReview #indies #EveNgodThisFemaleIsNotYetRated #CaliLili #CaliLiliHauser #CaliHauser #WingsHauser #movies #cinema #film #Album #LGBTQ #RoeVWade #womensrights #feministcinema #lgbtqcinema #lgbtqmusic #interraciallovestory #climateaction #auteur #newactress #newdirector #moviereviews
By #GarySwanson
Published in #TimesSquareChronicles #TimesSquare #NYC #NewYork #NewYorkCity #NYC
Movie Review
https://t2conline.com/cali-lilis-eve-n-god-this-female-is-not-yet-rated-with-original-soundtrack/
by
Gary Swanson
published in
Times Square Chronicles , NYC
August 2022
Cali Lili ‘s
Eve N God This Female Is Not Yet Rated (with original soundtrack)
Oscars 2020 Contender
Read Here : https://t2conline.com/cali-lilis-eve-n-god-this-female-is-not-yet-rated-with-original-soundtrack/
” After the first minute, I knew this would not be an LA – guns – and – car – crash film.
There was artistry, care and attention to detail, but most of all an homage to intelligence – allowing the audience to think for themselves. Cali dares us to sit and watch or else, just – turn on a re – run of, say… “Columbo”. I kept writing as I watched in response, not out of criticism, but, tracking, as a witness. As in any art form – that refuses to be told – I let go and it took me back to where all art should take us: to love, to oneself and forgiveness for the natural sin of guilt.
The dreamy woman, almost asleep on the stern of the boat is not just the character, she IS the film maker, her subconscious streaming, inviting us into the pre – sleep dream that we all understand, like T. S. Elliot’s “Love Song Of J. Alfred Proofrock”:
“Let us go then, you and I,
When the evening is spread out against the sky,
Like a patient etherized upon a table…”
The woman dreaming on the boat is our abraxas or the horizon line before the sun drops to the darkness of another day or, the light that explains, prepares us for the events and responsibilities of the agenda’s we all set for ourselves, during the waking hours. She could be a surfer girl or the beauty who zips by on blades along the promenade in Venice, leaving those in her wake, cranking necks to watch her disappear into the anonymous crowd.
But, Cali never allows us to look away. At times she gazed straight into the camera, definitely, stating, without fear or apology – that she knew we were there. We all knew why she was there. Her personal strength and as the character’s – evolves: committed, palpable, specific and alive placing us, on the other side of the proscenium yet – in her thrall. It is a comfort to the viewer – we do not have to worry.
Wings was beautiful. So simple and true; thoughtful, at times, funny but slightly repentant as the handsome old man next to the clock with no hands. I never thought I could feel sympathy for a deity but he made me realize that even God recognized that there was a new sheriff in town and – it wasn’t John Wayne.
Something happens to us. We have to dare to accept the intricacies, the subtle nuance of the literate dialogue, scenes that would rival Brecht, Pirandello or a French Film Auteur’s like Jean – Luc Godard, invoked from the 1950’s. It was no “he – said, she – listens”, conventional scenes out of a Syd Fields plot – point script designed to “sell” to the “suits”. It demanded that “attention must be paid”, with distinct references to literature, history, art, dance and music. At times the film makes fun of the Greecian conventions of “Beginning, Middle and End”. Cali knew you were keeping score, thinking you were a step ahead. No, she knew. Poof! “Doc” makes mention of the structure of the film, alluding to story development – or lack thereof. Just sit back and accept it, on its own structure. (Cali’s music, her singing, her lyrics with Wings playing the instruments underneath, throughout, seemed to mix naturally into the feast like herbs directly plucked from the garden).
But horror and fear, a subtle reference to a Snub Nose 38, all co – mingled with the proud, personal denial of one’s own racism and the ever – present fear of one’s own sexuality, a topic that pinches us into squeamishness and denial for those of us brought up in the “goodness” of the puritanical Judeo/Christian tradition. No! Throw all that out! You’re on your own…
I rarely think about films after I’ve seen them once. I’ve watched “La Strada” a hundred times and will watch again – any time it’s offered. And I know I will cry at the end. I know it. I access something about myself every time I find out “she passed away”. The same applies to “Cool Hand Luke” when Newman plays a banjo to his mother’s death. “Waiting for Godot” never allows me to “think clearly” but I will rush to get a ticket to see it again.
If I am honest and willing to have the courage to see into my own fears, “Eve N God This Female Is Not Yet Rated” helped explain the inexorable pull to sexual jealousy, possessive impulses of the women I’ve known and loved. I recognize, with regret, any rights I might have imposed on their thoughts and feelings, that I could invoke on their desires, on nature or on humanity itself – especially when it comes to love. No one has the right to climb into the hypothalamus of someone else’s brain and tell that 3 pound organ that those pleasure impulses, those electrical charges of desire are within the purview of another, not in spite of marital commitment, but – in the nurturing of the those lucky enough to wake up in the morning and say, “ I love you – but I don’t own you”. In a strange way, the experience “liberated” me from the fear of sexual possession. The universe knows what it wants from us all and, sometimes – we simply must – just, get out of the way.
This film would be in demand, played on a loop in NYC art houses, women’s movements, LGBTQ community and anyone who thinks they are better than the ones they stand next to, in line, at the DMV. Men who think they are “MEN”! – Oh, really?
It takes astonishing courage to step out of the confines of linear expectations, walk alone into the woods with just a True North compass; to launch a small, single – woman sailboat into the Pacific, living out of the sea. Or – to make a film, in LA, with a beggars budget and, yet, have it all become so intellectually gratifying and allowing us to think on it long after.
Bravo! ”
Gary Swanson’s show business career began in the circus as a Steel Pier High Diver in Atlantic City. He moved to NYC and became a contract player on Day Time TV show “Somerset” leading to a life – long career as film, TV and theater actor. He’s written for numerous magazines, taught masters programs. He still acts, directs, writes and produces. His political barnburner, If You Can Keep It, is in development. He lives by the Atlantic in Montauk, NY.
#MovieReview #indies #EveNgodThisFemaleIsNotYetRated #CaliLili #CaliLiliHauser #CaliHauser #WingsHauser #movies #cinema #film #Album #LGBTQ #RoeVWade #womensrights #feministcinema #lgbtqcinema #lgbtqmusic #interraciallovestory #climateaction #auteur #newactress #newdirector #moviereviews
By #GarySwanson
Published in #TimesSquareChronicles #TimesSquare #NYC #NewYork #NewYorkCity #NYC
“Love In The ToyShop”
© Cali Lili
Lyrics by Cali Lili
Vocals by Cali Lili
Music by Cali Lili & Wings Hauser
produced & arranged by Cali Lili
Album Link : Song 6
https://music.apple.com/us/album/love-in-the-toy-shop/1402313761?i=1402314105
Single Link :
https://music.apple.com/us/album/love-in-the-toy-shop/1435287601?i=1435287709
Can’t even afford a ‘Ford’
barely make my room and board
bicycle’s what I take around
make my rounds up and down
this downtown
‘Alice’ in her ‘Wonderland’
one giant rose grows
out my tiny window
When the city scent it throws
I find refuge
for my eyes
ears
and nose
I found love in the toy shop
I found you in the toy aisle
I don’t play in the real world
think i’m gonna stay
I found love in the toy shop
Prince charming
put on your plastic smile
I don’t play in the real world
think i’m gonna stay
awhile
My swimming pool is by
‘fisher price’
me and barbie go safari in the wild
tiara matching my mermaid wings
vacationing on a tropic desert isle
Can’t afford an oven by G.E
or even handle the electricity
‘betty crocker’ easy bake souffle
Or powdered sugar on a lump of playdoh
Barbie wore her G.I. Joe beret
i made snow cones on a sunny day
it’s not the real world that is what it takes
for happiness is really what you make of it
sometimes the real is really what is fake
girls getting married on top of a cake
barbie put on your plastic tux
I got a dress that’ll never fade or break
‘Cuz I found love in the toy shop
I found you in the toy aisle
I don’t play in the real world
think i’m gonna stay
I found love in the toy shop
Barbie
put on your plastic smile
I don’t play in the real world
think i’m gonna stay
awhile
Before the minister my only rose
we’re married just inside my lonely window
A slice of cake for everyone we know
the real world lives outside and
just
below
A piece of heaven
on a plastic smile
where love is free
we found it in the
toy aisle
(Toy aisle
Toy aisle)
I found love in the toy shop
I found you in the toy aisle
I don’t play in the real world
(I don’t play in the real world)
Think I’m gonna stay
Awhile
I found love
( I found love)
I found love
(I found love )
I found LOVE
( I found LOVE)
I FOUND LOVE
( I FOUND LOVE )
I FOUND LOVE
( I FOUND LOVE)
I FOUND LOVE
( I FOUND LOVE)
I found love in the toyshop
I found you in the toy aisle
I found love in the toy shop
I found you in the toyshop
Think I’m gonna stay
Awhile “
© Cali Lili
“Love In The ToyShop”
© Cali Lili
Lyrics by Cali Lili
Music by Cali Lili and Wings Hauser
Album Link : Song 6
https://music.apple.com/us/album/love-in-the-toy-shop/1402313761?i=1402314105
Single Link :
https://music.apple.com/us/album/love-in-the-toy-shop/1435287601?i=1435287709
Can’t even afford a ‘Ford’
barely make my room and board
bicycle’s what I take around
make my rounds up and down
this downtown
‘Alice’ in her ‘Wonderland’
one giant rose grows
out my tiny window
When the city scent it throws
I find refuge
for my eyes
ears
and nose
I found love in the toy shop
I found you in the toy aisle
I don’t play in the real world
think i’m gonna stay
I found love in the toy shop
Prince charming
put on your plastic smile
I don’t play in the real world
think i’m gonna stay
awhile
My swimming pool is by
‘fisher price’
me and barbie go safari in the wild
tiara matching my mermaid wings
vacationing on a tropic desert isle
Can’t afford an oven by G.E
or even handle the electricity
‘betty crocker’ easy bake souffle
Or powdered sugar on a lump of playdoh
Barbie wore her G.I. Joe beret
i made snow cones on a sunny day
it’s not the real world that is what it takes
for happiness is really what you make of it
sometimes the real is really what is fake
girls getting married on top of a cake
barbie put on your plastic tux
I got a dress that’ll never fade or break
‘Cuz I found love in the toy shop
I found you in the toy aisle
I don’t play in the real world
think i’m gonna stay
I found love in the toy shop
Barbie
put on your plastic smile
I don’t play in the real world
think i’m gonna stay
awhile
Before the minister my only rose
we’re married just inside my lonely window
A slice of cake for everyone we know
the real world lives outside and
just
below
A piece of heaven
on a plastic smile
where love is free
we found it in the
toy aisle
(Toy aisle
Toy aisle)
I found love in the toy shop
I found you in the toy aisle
I don’t play in the real world
(I don’t play in the real world)
Think I’m gonna stay
Awhile
I found love
( I found love)
I found love
(I found love )
I found LOVE
( I found LOVE)
I FOUND LOVE
( I FOUND LOVE )
I FOUND LOVE
( I FOUND LOVE)
I FOUND LOVE
( I FOUND LOVE)
I found love in the toyshop
I found you in the toy aisle
I found love in the toy shop
I found you in the toyshop
Think I’m gonna stay
Awhile “
© Cali Lili
🏄🏽♀️🏄🏾♀️🏄🏼♀️🏄🏿♀️🐬🌊
” CaliLili ‘s
Innovative
Was ahead of her time –
Released shortly before the covid-19 pandemic tragedy
Costarring #movieicon #icon #WingsHauser
this #AllFemalCrew production is set
in a #futuristic “Eden”
that’s an #organic lockdown style
film set with flowers + fruits
virtually, metaphorically growing
from the
floors and walls …
two of the protagonists are never in the same room …
communicating via Zoom…
Based in the notion that
“cells” have “walls that talk”
whether they be biology cells,
quarantine walls,
incarceration, or cellphones –
Biologically and metaphorically –
Cali’s thesis began with the fact that the “cell wall” functions simultaneously
as both – protective “barrier”
exchange, communication.
That’s why Cali believes many cures can be found through communication beyond walls.
can be addressed at the
points of contact in-between,
the bridges, the cross-overs accomplished
Among several social justice +
climate justice themes –
the project is Cali Lili ‘s innovative
exploration of love, acceptance, hope +
healings through communication –
beyond boundaries –
RoeVWade
feminist movie
SocialJusticeMovie
🎬+🎶
Streaming
On Demand
🍎
iTunes
AppleTV
AppleMusic
🍎
iTunes 🎬🎼🍎 Eve N’ God: This Female Is Not Yet itunes.apple.com/us/movie/eve-n-god-this-female-is-not-yet-rated/id1447735793
Apple TV 🎬🍎
https://tv.apple.com/us/movie/eve-n-god-this-female-is-not-yet/umc.cmc.2yxdyr5yqcmhr1y1hn195e3sm
ROKU
also :
YouTube Movies + Music
🎬🎼
Google Play 🎬🎼 https://play.google.com/store/movies/details?id=Mxgf1AeeWw4
Vimeo 🎬 https://vimeo.com/ondemand/189618
Soundtrack 🎼🍎
https://itunes.apple.com/us/album/this-female-is-not-yet-rated/1402313761
Official YouTube Artist 🎶 Channel
https://www.youtube.com/channel/UCfmQSviatkBEmFmRzsCyo3g
Official Apple Music Artist 🍎 🎶
https://music.apple.com/us/artist/cali-lili/1402310156
Variety listing Oscars 2020 : https://variety.com/2019/film/awards/oscars-academy-announces-344-films-eligible-for-2019-best-picture-1203446314/
FB Movie Page 🎬 : https://www.facebook.com/EVEnGodThisFemaleIsNotYetRatedbyCaliLiliIndies/
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